|
Flat Panels
Video Projectors Rear-Projection TV Receivers Speakers Disc Players Surround Pre/Pros Amplifiers Accessories Recently Added
Video Displays
Speakers
Sources
Electronics
Accessories Scott Wilkinson Thomas Norton Fred Manteghian Shane Buettner How To Features Audio/Video News Past eNewsletters CES 2008 CEDIA 2007 HE 2007 CES 2007 CEDIA 2006 HE 2006 CES 2006 Thomas J. Norton Michael Fremer Joel Brinkley Scott Wilkinson Dealer Locator AV Links Contact Us Flatscreen TVs LCD TVs Plasma TVs HDTV AV Receivers Home Theater in a Box Digital Projectors DLP Projectors Video Projectors Surround Sound Dolby 5.1 |
Sony PFM-50C1 plasma display:
Calibration The Sony PFM-50C1 was calibrated with the FSR Color Analyzer from Progressive Labs. Custom color-coordinate lookup tables were created by Cliff Plavin of Progressive Labs using a spectroradiometer, after which gray-scale calibrations were performed using 480i, 480p, 720p, 1080i, and 1024x768 sources. The PFM-50C1's phosphors were a bit off from SMPTE "C" coordinates. Cliff measured 0.315x, 0.339y, and 6310 kelvins out of the box in Medium color-temperature mode with a 75 IRE window. This means you can use the panel without a calibration if you have to and get a closebut not accurategray scale that tracks within 340K from 18% white to 100% white. But you can do better, even with just the Sony's RGB drive controls. After calibration with the FSR Analyzer, I measured 6510K with a 50% gray field, tracking from 6640K at 0.14f-L to 6660K at 30.18f-L. In effect, I raised the entire gray scale 100-150K; it then "hovered" at around D6500 from 18% gray on up. The accompanying chart shows the final gray scale. After testing dozens of plasma monitors, I can tell you that getting both the low and high ends of the gray scale to track evenly is a frustrating exercise, so I usually finish a calibration by setting a 35-50% gray bar as close to D6500 as I can and leaving it at that. [My experience has been better, though limited to four plasmas I've reviewed in the recent past.TJN] After gray-scale calibration, brightness was clocked at 16.2ft-L with a 100 IRE pattern across the full 16:9 screen, and 21.1ft-L with a 4:3 white field. The PFM-50C1 uses an automatic picture level (APL) circuit to protect against burn-in, and it can't be disabled unless you go deep into the service menu. These reduced brightness levels might be a problem for you only with video games and computer imagesthe peak contrast readings I measured show the panel can pump 25-40f-L of brightness with small white fields. Last but not least, I measured the contrast using three patterns: the ANSI 16-panel checkerboard, a 50% white/black field, and a small-area 100 IRE window. The average ANSI contrast measured 167:1 with the checkerboard, while the 50% black/white window actually yielded a lower measurement of 154:1 (the panel's automatic picture-level circuit kicks in with large white fields). The small-area 100 IRE window against a black background resulted in a peak contrast of 289:1.PP
|
|
||||||||||||||||||||||||||||||||||||||||||||||||||
